Amelia Knowlson

Curator, designer, maker

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Exhibition

Frustrating the Linear

Frustrating the Linear was a week exhibition staged at Hallam Post Office Gallery between 1st -24th…

An Object in Transition

‘ An Object in Transition’ is an installation that explores how a museum object is transformed,…

Aesthetics of Manufacture.

Aesthetics of Manufacture was a collaborative work created for Sheffield Festival of Making at The Butcher…

Project

Photograph by Renishaw

The Gloucester Candlestick

Working with  Rebecca Philips from Gloucester Cathedral and Paul Govan from Renishaw we created a 3D…

Omar Ramsden’s Key – Sheffield Hallam Library Special Collection

I have been working with lovely team in charge of looking after Sheffield Hallam University’s Special…

The Ringlemere Cup – British Museum

The Ringlemere Cup is a Bronze Age vessel found in the Ringlemere barrow near Sandwich in…

Replica, Facsimile, Fake or Copy?

This project explored how 3D printed objects are perceived in terms of their, making, loss, reception…

Bewick Woodblock project – Great North Museum

The Bewick woodblock project was part of a project to explore to possibility effectively 3D scanning…

Research

English Heritage- Corbridge 3D Puzzles

The 3D puzzles, were designed in collaboration with Design Futures at Sheffield Hallam University. The aim…

The Curators Box – The British Museum

The Curators Box was an experiment design method created to capture in depth curatorial perceptions of…

Stories from the East – The Grice Ivories.

As part of my PhD research exploring the curatorial perception of 3D scanning and printing in…

The Please Touch Project

The Please Touch project was a collaboration between myself and colleague  Caroline Claisse and two community…

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Recent Posts

  • The Gloucester Candlestick
  • Frustrating the Linear
  • Omar Ramsden’s Key – Sheffield Hallam Library Special Collection
  • English Heritage- Corbridge 3D Puzzles
  • The Curators Box – The British Museum

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